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作品[47]:当代中国建筑理论关系
http://finance.QQ.com  2005年11月30日13:35  腾讯财经  ()

冯仕达(澳洲); Contemporary Architectural Theories / Stan Fung (Australia)

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Stanislaus Fung

The proposed work is concerned with critical and post-critical architecture as they have been articulated in Western architecture. My intention is to call attention to some incongruities when the terms of that discussion are transposed to the context of contemporary China.

In recent years, the shift between critical and post-critical architectcure is commonly discussed in terms of two hubs of consideration. (1) The work of Manfredo Tafuri and Peter Eisenman in the 1970s and 1980s, and (2) the work of Rem Koolhaas and recent theorists such as R.E. Somol and Sarah Whiting. The proposed work will draw from these hubs of consideration a series of keywords and will organize them in order to show a contrast of priorities and understandings. What emerges in sifting through the keywords is how some words take on different meanings in different contexts.

The proposed work will extend the immediate context of recent discussions on post-critical architecture by pointing to a sequence of historical figures and their role in developing an understanding of architectural culture and practice in terms of criticality: Colin Rowe, Emil Kaufmann, Kant, Ledoux, and Rousseau.

The understandings opened up by this exploration will be folded over issues that have pre-occupied recent discussions of Chinese architecture: formalism, imitation, critical architecture, instrumentalism, the avant-garde. I propose to offer a small series of quotations to highlight how these notions have become un-moored from their Western contexts.

Physically, the proposed work is 2 metres x 2 metres, printed on paper. The visual elements of the work consists of Chinese and English terms and texts. In order to highlight the ambiguity of terms in some contexts, some words will be blurred by digital manipulation.

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张永和评论

新威尔士大学的冯仕达关心西方建筑界有关批判性及后批判性建筑的讨论移植入中国语境后发生的偏差,他注意到一系列关键词的含义转变是这种偏差的具体体现。这个工作实际上是对西方建筑理论对中国当代建筑影响的一个系统性研究。

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